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So Long, See You Tomorrow, by William Maxwell
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In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered.Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.
- Sales Rank: #46475 in Books
- Brand: Brand: Vintage Books
- Published on: 1996-01-03
- Released on: 1996-01-03
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .39" w x 5.18" l, .30 pounds
- Binding: Paperback
- 144 pages
- Used Book in Good Condition
From Library Journal
This superb series of interviews and readings has expanded to include longer selections from its authors, in this case a short, autobiographical novel that won Maxwell the American Book Award in 1980. Set in Lincoln, Illinois, which Maxwell calls "my imagination's home," the story is modeled after incidents in Maxwell's youth: his mother's death when he was ten; his father's remarriage and their move to a new house; and Maxwell's relationship to a killer's son. Maxwell's narration, like his prose, is devoid of all theatrical effect: it is a quietly told story by a thoughtful man with something on his mind and in his heart. He is nevertheless traversing fairly familiar fictional ground. What is extraordinary about this program is his talk with Kay Bonetti, in which Maxwell, 87 at the time of this recording, discusses his life and work with a reflective honesty that is unmatched by any other author in the series. Maxwell's career also encompasses four decades as fiction editor of The New Yorker, and questions about the authors with whom he worked, such as John Cheever and J.D. Salinger, are met with the same directness and lucidity that characterize his prose. Recommended.?Peter Josyph, New York
Copyright 1997 Reed Business Information, Inc.
Review
"One of the great books of our age. It is the subtlest of miniatures that contains our deepest sorrows and truths and love - all caught in a clear, simple style in perfect brushstrokes" -- Michael Ondjaate "A truly extraordinary novel... Maxwell has tapped a vein of strange, pure emotion" -- Philip Hensher Mail on Sunday "So magically deft at being profound...possesses that daunting quality impossible to emulate: it makes greatness seem simple" -- Richard Ford "Maxwell does something all great novelists do: he conjures depths of pain and regret in words of radiant simplicity" -- Anthony Quinn Observer "This calm, reflective and extraordinarily beautiful novel offers American fiction at its finest" Irish Times
From the Inside Flap
On an Illinois farm in the 1920s, a man is murdered, and in the same moment the tenous friendship between two lonely boys comes to an end. In telling their interconnected stories, American Book Award winner William delivers a masterfully restrained and magically evocative meditation on the past. "A small, perfect novel."--Washington Post Book World.
Most helpful customer reviews
60 of 65 people found the following review helpful.
A work of literary art!
By Robert Ortiz
This is an excellent and engrossing novel that will captivate and draw you right into the story. On an early winter morning just before daybreak, three men hear a loud noise similar to a car backfiring. At first they dismiss it as just that, but it turns out to be a fatal shot that kills a farmer named Lloyd Wilson. The protagonist in the story was friends with the deceased man's son, Cletus. Using newspaper clippings, memories, and imagination, he tries to reconstruct the dramatic events that led to the shooting. Through the use of imagery, William Maxwell creates a story that is vivid in its depictions of rural life and the excruciating emotions people endure as a result of choices they make. This book takes the reader on a journey where one feels like a part of the world these people inhabit. The descriptive and evocative writing helps us to understand their pain and anxiety as we watch them live their lives. This is a terrific book and a great introduction to the literary talents of William Maxwell. Highly recommended!
0 of 0 people found the following review helpful.
A good book
By MW
A good book that is well written anti would recommend you read this this short novel. The story is about how events of a single day affect the narrator. Also the events of the day that is a murder affect the narrators school friend and they loose contact for many years. The book deals with the friendship of two men and then they fall out and never speak after one of the men has an affair with the others wife. This basic story occurs again and again through history.
74 of 83 people found the following review helpful.
Heart-Breaking
By Nicolette Wong
Maxwell has always been known as a very pure writer - honest sentiments in concrete images. Take this line from 'So Long, See You Tomorrow' about children sleeping in a quiet winter night as an example: 'sleeping the sleep of stone'.
Same for the book on the whole: a straight-forward and concise record of a painful childhood + a convincing and sympathetic account of what could have happened in the tragic murder/suicide that took place in the book. In the pages depicting Maxwell's childhood, you see images of the child agonizing over the death of his mother, the loss of a normal childhood, the bitterness against his father and a mixture of all these unresolved feelings which the grown up narrator narrates with great immediacy. The pictures are particularly heart-breaking as the writing is very subdued - everything is described for what it is and the author, while expressing his feelings directly, simply state what he feels without exaggeration. It is the kind of autobiographical writing that makes you understand why one writes autobiography and why all of us grieve over certain things that we think we've let go, or constantly hope we'll let go: some things will always be there, down deep, once they happen.
The fictional account of the murder/tragedy echoes Maxwell's story: how everyone has a heart and a right to their feelings; how we all get trapped in situations we cant control and break someone's heart or gets heart-broken. In a way, writing this story seems to be a way of coming to terms with things for Maxwell- to get over the bitterness against things gone wrong by understanding the complexities and inevitability of some situations. One striking thing about this piece of writing is that it's highly dialogic: like in the universe in Anna Karenina, everyone in this fictional world has a right to be understood. There's a reason why someone becomes the person s/he's become and why s/he's done what s/he's done. Even the most unsympathetic story (on the surface) has his story that may be sadder than everyone else's.
In the end it's an extremely well-written work - a very good example for students of creative writing in particular. The last thing I'll say about this book is its title. A line from the dialogue in the book itself, it symbolizes that line between childhood and adolescence/adulthood (when one's forced to drastically grow up in an extreme circumstance). One crosses this line and enters the world of traumatic loss, in which we have no choice but to accept and endure pain. As wound souls we forever look back at that other carefree world with nostaglia - a brilliant title and immensely geniune emotions.
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