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American Popular Song: The Great Innovators, 1900-1950, by Alec Wilder
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When Alec Wilder's American Popular Song first appeared, it was almost universally hailed--from The New York Times to The New Yorker to Down Beat--as the definitive account of the classic era of American popular music. It has since become the standard work of the great songwriters who dominated popular music in the United States for half a century. Now Wilder's classic is available again, with a new introduction by Gene Lees.
Uniquely analytical yet engagingly informal, American Popular Song focuses on the melodic, harmonic, and rhythmic qualities that distinguish American popular music and have made it an authentic art form. Wilder traces the roots of the American style to the ragtime music of the 1890s, shows how it was incorporated into mainstream popular music after 1900, and then surveys the careers of every major songwriter from World War I to 1950. Wilder devotes desparate chapters to such greats as Jerome Kern, Irving Berlin, George Gershwin, Richard Rodgers, Cole Porter, and Harold Arlen. Illustrated with over seven hundred musical examples, Wilder's sensitive analyses of the most distinctive, creative, and original songs of this period reveal unexpected beauties in songs long forgotten and delightful subtleties in many familiar standards. The result is a definitive treatment of a strangely unsung and uniquely American art.
- Sales Rank: #801440 in Books
- Published on: 1990-04-27
- Original language: English
- Number of items: 1
- Dimensions: 6.25" h x 1.27" w x 9.25" l, 2.08 pounds
- Binding: Hardcover
- 576 pages
Review
"Remains today the best single examination of its subject."--The Washington Post Book World
"Provocative, informative, opinionated, and never dull" --Down Beat
"Wonderful" --The New York Times
"A joy to anyone who really cares about American popular music....An invaluable reference" --Max Morath
"A rewarding book, endowed with grace and wit" --Milton Babbitt
"Invaluable and pioneering" --Whitney Balliett, The New Yorker
"A singular book" --Studs Terkel
From the Back Cover
'The first serious and most valuable study of American popular music, the blood and bone of so much glorious jazz. The book is provocative, informative, opinionated, never dull.' -Down Beat
About the Author
Alec Wilder was the composer of such famous songs as "I'll Be Around," "It's So Peaceful in the Country," and "While We're Young," as well as theater and film scores and chamber music for every instrument in the orchestra.
Most helpful customer reviews
27 of 27 people found the following review helpful.
4 1/2* Excellent Ref. Book for the Musically Inclined
By M. Allen Greenbaum
Yes, the man is opinionated, and one may argue with some of his more controversial and unsparing critiques. His analyses are grounded in a thorough understanding of music, and he does not retreat from criticizing the most popular. I think that the whole topic is perhaps more subjective than Wilder lets on, but at least he's forthright about his opinions, and provides hundreds of musical annotations to illustrate his views. I'll also agree with the reviewer who criticizes Wilder's view that post-50's popular music was written by "amateurs." Still, this is widely regarded as a must-have for the student of popular music, and it's an excellent, albeit somewhat technical critique of popular music's "golden age." Recommended!
0 of 0 people found the following review helpful.
FIVE STARS FOR PAPERBACK - KINDLE: um...
By Steven Strauss
The Kindle Edition makes the book half as useful by failing to present sheet music excerpts clearly. They are the very subject of the book, and they cannot be read.
I have treasured this volume over all others on the subject, but I wanted it on Kindle so I wouldn't tear my third copy to pieces as I did the first two. I can't really use it in Kindle edition, although the lilt of Wilder's prose certainly seems to survive the transition.
24 of 25 people found the following review helpful.
FOR THOSE WHO LOVE AMERICAN POPULAR MUSIC
By ALAIN ROBERT
ALEC WILDER himself a composer has written what is generally considered the bible of AMERICAN POPULAR MUSIC.More than thirty years have gone by since the first édition of this book and it remains fresh.Like many i am proud to say that this book was really for me what i needed to start digging into the history of many songs before the rock era.From BERLIN and KERN to the often forgotten greats like DONALDSON and McHUGH they are all there and mister WILDER knows what he is talking about;he had talked to many writers and composers who were at the time of the first édition still with us.Personal opinions are of course a matter of taste;we are for example not obliged to believe everything he says.Most of the time mister WILDER is right:EXAMPLE:he believes that RICHARD RODGERS was perhaps the most gifted composer of his time.Few can really disagree with that.In fact,there is only one major problem with this book,if you don't read music it won't be too enjoyable for you,because there are many examples with sheet music to proves the points he wants to make.Everyone who has an interest in the history of AMERICAN popular music should buy that book.
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